He is a member of the National Sculpture Society and the Portrait Academies which is part of the Portrait Society of America where he has been teaching for over a decade and his portraits have become a favorite part of the students he also conducts numerous workshops in America and abroad. Robert Liberace is a teacher at the Studio Incamminati in Philadelphia, at the Art League in Alexandria, Virginia and a visiting instructor at The National Gallery of Art in Washington DC, where he teaches the techniques of the old masters. In the same university he also received the Morris Louis scholarship for art. Among his teachers is the painter Frank Wright to whom Liberace attributes the merit of having instilled in him the love for the old masters. Born in Pomona, NY, Liberace completed his artistic studies thanks to the baseball scholarship he received from George Washington University, where he received both a liberal arts degree and a master’s degree in fine arts. Robert Liberace is the master of masters, among his students are Teresa Oaxaca, Charles Miano, Johanne Mangi and many others. Inspired by Dante’s Inferno, in the “5th Circle”(in the 5 circle Dante represents the wrathful and slothful), Liberace explores the interesting visual effects of light and the narrative force that light embodies while the fiery shoreline creates an apocalyptic atmosphere that represents the darkest realms of the human soul. In addition to having written and published in important magazines, to be called as a judge for various competitions, in his artistic career Liberace was recognized as “Living Master” by the ARC, the American organization that aims to preserve and reward realistic art, after that in 2015 with the work the “5th Circle”, won first prize in the category of imaginary realism. Through the drawing Liberace expresses his fascination for the human figure and his desire to capture the power and poetry that flow from the detailed description of the body in dramatic poses. Robert Liberace’s demo, charcoal on paper.
Watteau and Pier Paul Rubens did, who had the merit of making the technique popular. During one of his seminars on drawing it is extraordinary to see with what ease Liberace ranges from pencil, charcoal, to the technique of the Deux or Troys Crayons: a technique that consists of combining two colours (black and white) as Pierre Paul Prud’hon did or three colours (black, white and red, the sanguine) as F.Boucher, A. Liberace is a virtuous artist who has explored both sculpture and painting, masterfully juggling oil, watercolor, charcoal, silverpoint and ink Though he is a master of all techniques, his mainstay is figurative drawing, with a classical and distinctive style inspired by the greats of the past. The Portrait Society of America has in fact thought to bet on the great talent of Robert Liberace to break the record. in Italy), he will be the protagonist, in a three-hour workshop, for the “World Day of Figurative Drawing”: an event destined to remain in the annals of art history, in which it is estimated that more than 10,000 people from all over the world will “virtually” take part to constitute the new Guinness Book of Records. He has participated in several editions of FACE-Figurative Art Convention and Expo- and this year will be the icing on the cake of the 22nd edition of the Portrait Society of America, from which he received his first prize, the Grand Prize Award, in 2003 and with which in a few days, August 27 from 4:30 pm to 7 pm: 30, American PM EST time (10:30 p.m. Art (2) 9th century B.C.Robert Liberace is considered one of the most talented contemporary American artists. Art (3) 7th centry Art (1) 7th century B.C. Art (2) 15th century Art (126) 16th century Art (306) 17th century Art (208) 18th century Art (148) 19th century Art (1569) 1st-century BC Art (2) 20th century Art (4057) 21st Century Art (2529) 2nd century Art (1) 2nd Century BC Art (1) 3nd Century Art (1) 4th century BC Art (3) 5th century BC Art (1) 6th century B.C.
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